Once again, through my filter and my notes...
Fiction Writing with Angie Hunt
Author of over 103 books.
Write your passion
But to get in the door you may need to write the market.
But not something you hate.
Don’t get too anxious.
READ THE CONTRACT!!!

Writing novels is a craft.
2 parts:
Both are equally important…
Decide what you are called to write and dabble at your own risk.
Establish yourself. What do you like to read?
Uniqueness
THE ACT OF WRITING IS THE ACT OF DISCOVERING WHAT YOU BELIEVE…
What makes a good idea?
Don’t tell stories of just things that happen in your family.
Novels are about people - character driven.
Recognizing ideas:
Great ideas are rare, good ideas come all the time.
Great ideas stick with me.
Settings can be interesting ideas.
Great ideas have a certain sparkle when you see it.
Great ideas arouse my passion.
Great ideas are something I can bring other people into the passion.
It may be farfetched ideas and that’s OK
Great ideas are not cookie cutters.
Give yours a twist.
If the seed has potential greatness???

DON’TS
Overused elements
No passion
Seasons are important, some things might be years in the making…
We will face fear, that the finished product will not measure up to the passion.
BUT IT WILL!!!!
First draft is not the one that goes out the door. 700 words a day
scene cards are an options, 3x5 cards, color coded? Shuffle the scenes
type and let it flow, don’t worry about spelling, use footnotes, leave notes for yourself.
You can fix the first draft
2 nd draft – fill in the gaps
she wrote – The Note
first draft 45000 supposed to have 90000 words?
Don’t worry about length
25000-30000 novella
60000-70 novel
100-130000 novel
90000 is good length.
Some write and cut, others add in.
Don’t give too much back story up front.
Have things that have to do with character development.
3 rd draft, worry about the beauty of the language
4 th polish mood music draft, thunder thrumbed, violins
5 th typo check
Have a person read certain passages to you.
The ear can pick up what the eye doesn’t. use the computer to read it.
All 5 drafts are before the editor reads anything.
Have others read it, but don’t always
Hemingway – 27 drafts on an ending.
You can tweak ideas but don’t be married to it.
Don’t suffer from – “I can write it all it”
More from Angie later...
Wanda Dyson May 20, 2006
Yes, you know her off Oprah, the co-author of "Why I Jumped".
I know Wanda and was in a great session with her last year, thought I'd share...
KEEP IT REAL
Characters are coming alive
Testimony characters?
Multidimensional characters. More than quirks and bad habits.
Character has to have a life that is changed.
Life changed by end of book.
Something will have changed in the character by the end.
Character that people can love
Character that people will hate
And a lot of characters in between
No cardboard characters anywhere in the book.
People are not who they appear to be…
A man murders someone after 25 years of marriage and the wife never saw it coming.
They can’t act the same with everyone in the book.
How will the sub character interact with the protagonist? Antagonist?
Best way to know the character is through conflict.
Conflict will build character and strength or expose weakness.
Characters are best scene through the eyes of the other characters. Daughter, son, boss, husband, wife, mother, lover, shopping partner.
Because Mary will call Janet to shop because Janet is fashion bug but not dependable.
Some of the characters will be the type that are brutally honest.
Characterization: personal profiles, height, weight, hair color
Character: Who they are behind the mask
2 books: Story – Robert McKee Getting into Character – Brandlynn Collins
Demention in a character is conflict and contradiction: ambitious or guilt ridden ambition. Thief vs. charming thief be consistant through the whole book, don’t have him kick the cat at the end of the book.
Supporting Cast:
Main function is to bring out the best or worst in the protagonist.
The antagonist will bring out the protagonist’s best or worst.
Character A might bring out sadness, B nurture, C motherly, D caring, E hatred
Scatter the characters so that they bring out different things .
Build the relationship over time.
Antagonist: a bad guy never thinks he bad.
Dialogue: every character can’t sound alike, strongest accent are easy to have. Pick up an ear for listening. Quirks. Don’t go overboard.
Dialogue is never too much if its moving the story forward. Pepper it with internal dialogue. What moves the story.
Style: we all have unique styles, characters also have their own style. Woman that is never seen without a dress, makeup man with T-shirt that matches flannel shirt underneath. High top sneakers, never ties them. Bandana
Conflict: conflict is not always the main part of our book. Is the assassination is the ONLY conflict going on in your life? Boss, parents, car, thunderstorm, God, the dog dies, don’t overwhelm with this
How do you handle the 15 year old sasses you?
Peel the onion and let the readers see what they are made of!!!!
Book: The Writer’s Journey - Christopher Vogler
When you are in the character’s head, you can only describe what she sees. You can feel your hands tremble but you don’t see your own red eyes unless you look in the mirror.
Subplots are good with several different things going on in the same day. Even if not very big subplots.
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The Nangie Experience 2007: